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Blender’s sculpting tools can be used to control the silhouette of a character over the course of an animation: easy to draw, but hard to do with bones! One of the coolest uses for the sculpt tool was shown to me by animator and teacher Daniel Martinez Lara. Instead of just sculpting static objects, you can use it to tweak the shape of characters as they move over time in order to polish animations. This enables you to fix deformations, add extra stretching or change the outline of a pose – things that are hard to do with bones, but easy to draw. This only works in the very newest builds of Blender (2.56+). After animation is completed, go to Mesh Properties and locate the Shape Keys panel. Select the Basic key selected from the list and click the plus icon to add a new shape key. Next, move the playhead to a frame you want to tweak, click the pin icon and enter sculpt mode. For sculpting, I prefer to use the Grab tool for making larger shape changes, and then the Smooth tool to smooth out problem areas.

The right camera placement is essential for a great render. In my opinion moving the camera with the grab tool isn’t very intuitive and can be quite laborious. This is why I prefer to use the walk navigation. Go to View > Navigation > Walk Navigation to enable it. Now you can control the camera as if you were in a first person shooter and use the arrows or W, A, S and D keys to look around. To toggle the gravity simply use the Tab key. I recently came across Meshroom, an open-source photogrammetry software. Photogrammetry is a really cool technique to create 3D scans by taking photos from all around an object. Meshroom is 100% free and very intuitive to use. I had lots of fun during the last few weeks scanning various objects and using them to create realistic scenes in Blender.

Last, but certainly not least: the simplest possible solution is usually the best one to choose for every part of your hard surface model, especially in the beginning. Small operations, clean meshes, and a principled approach are the best investments that you can make in your model. It’s worth remembering that you can always add another subdivision as you progress—once you’ve made the commitment, however, more geometry means that more of your labor and time will be required to modify what you’ve subdivided later on. This is probably the most compelling reason to follow this last tip—a low-poly foundation makes working in broad strokes much easier. Once you’re happy with what’s in front of you, you’ll be able to really dive in without wasting time.

Setting up libraries of standard facial expressions speeds up your first lip sync pass: Pose Libraries are a great way to rough in animation, particularly for facial animation and lip sync. This is especially useful if your rig uses bones and drivers rather than exclusively relying on shape keys for phoneme shapes. I like to make a bone group for my lip sync controls and use those controls to create my phonemes. Each phoneme gets saved as a pose in my character’s Pose Library ([Shift]+[L]). When animating, select the bones in the lip sync bone group and press [Ctrl]+[L] to enter a library preview mode. You can then use your mouse’s scroll wheel or [Page Up]/[Page Down] to cycle through the poses in your library. Choose your pose and insert your keyframes. This works as your first rough pass on the lip sync to get the timing right. Discover even more information at