The climb of a talented pianist : Johnny Hachem

Meet Johnny Hachem and some of his music composer achievements: Johnny Hachem is a Lebanese-Ukrainian composer and pianist, based in Switzerland. He is the holder of many international awards including the 2009 international award for the Music Composition at The International Composition Conference (Cergy-pontoise, France) and the 2021 Third prize of the Classic Pure Vienna International Composition Competition (Vienna, Austria). Johnny Hachem is one of the most promising composers in Europe, with an extensive resume that includes prestigious awards from around the world. He has been awarded many international awards including the 2009 Music Composition Award at The International Composition Conference (Cergy -Pontoise, France). Read more information on Johnny Hachem.

I love that everything I do is to be original and unique and not only to follow the music market. At the same time I profit from the technology and the new softwares to the maximum. For example, a few years ago, I composed the orchestral music for a documentary film using only the VST instruments. I believe that I must gain from anything that can make the composition process smoother and faster but it must always meet uniqueness and genuine originality.

Currently, Johnny is preparing for a series of piano concerts that he will perform in various European countries in the near future and says that the proceeds will be donated to the families affected by the war in Lebanon and Ukraine. He believes donating to humanitarian causes gives meaning to his musical message. Johnny Hachem has come a long way, and even though he faced a lot of hurdles, he refused to give up. And finally, he has been successful in achieving his dreams. Now he wishes to guide the aspiring musicians and pianists in the world to accomplish what he has done over the years of hard work. “Do not try to imitate successful musicians and stars. Instead, do the opposite and draw your own unique path. This is the key to success,” he stressed. He is an ambitious, passionate, and emotional person who values deep feelings and cherishes others’ happiness. Johnny Hachem’s message is about peace, and he uses his music to spread it across the world.

Who are you listening to these days? Johnny Hachem: Brahms, Wagner & Sibelius. This is a brand new year. What hopes and plans do you have? Johnny Hachem: I am composing 3 new pieces for symphony orchestra, Wind Quintet & String Quartet, I hope they will be performed during this year and loved by the audience! Before we go, could you say a few encouraging words for your fans and readers? Johnny Hachem: First, I want to thank you for those deep and interesting questions and for interviewing me! I want to thank all my friends and fans who believed in my talent and encouraged me throughout the years and tell them to believe always in their own taste and never work against their belief!

Johnny has performed his compositions world-wide in countries including, Lebanon, Jordan, Bahrain, Egypt, Qatar, France, Switzerland, Germany, England, Spain, Poland, Belarus and Ukraine. His most notable work include his composition for the documentary film I Knocked on the Temple’s Door by Carmen Labaki, and also for composing “The Fourth Watch”, which was performed by the Lebanese Philharmonic Orchestra in December 2014 and “The Battle of Siddim” performed by the Lebanese Philharmonic Orchestra in May 2017 and by “Lublin Philharmonic orchestra”, Poland in October 2017.

Classical music these days more of a sub-niche with rigid frames and for many it is boring and full with repetitions. It is true, even Verdi became quite “pop” in some of his works, not to mention Chopin or Donizetti. Ok, maybe Bartok was a different league and an exception; however, there is a trend to “lighten up” the classical pieces to make it more acceptable for the masses. As a composer and performer, how do you see this, what are your experiences? Johnny HachemJohnny Hachem: I will divide my answer into two parts: First, I believe that people listen to classical music more than ever, but that is through movies and video games, however, most of them don’t like listening to it in a concert hall and that’s because of the strict etiquette rules there; you can’t clap between the movements of the musical piece even if you were very excited, you can’t cough now, you can’t move… in other words, you can’t express your emotions as you do in pop or rock concerts… To tell you the truth, it wasn’t like that before. Joseph Horowitz, in his wonderful new book, Moral Fire, describes audiences “screaming” and “standing on chairs” during classical concerts in the 1890s. The New York Times records an audience that “wept and shouted, strung banners across the orchestra pit over the heads of the audience and flapped unrestrainedly” when listening to their favorite opera singer at the Met in the 1920s. And the strict rules started in 1960.

Kentucky’s Logan Blackman or the rise of a music conducting professional

Get to know Lexington’s Logan Blackman and some of his music orchestra conducting thoughts: I have to say, I was not expecting that answer! I love it! What do you want your listeners to get out of your music? Logan J. Blackman : Music is one of the ultimate ways of expressing something you can’t quite put in words, or illustrate easily. My symphonic work, Prayer of a Broken Heart, is a great example of that. At 15, I tragically lost my parents due to a motorcycle accident. That piece is about the grief I went through, those experiences, and ultimately my hope that I will one day see them again.My hope is that listeners who might be struggling with something similar get some kind of comfort knowing they aren’t the only ones to feel what they may be feeling. Read even more info at https://www.quora.com/profile/Logan-Blackman-1.

Doors for the UK Symphony Orchestra concert open 7 p.m. Friday, Feb. 17, with music beginning at 7:30 p.m. Tickets are $10 for general admission, $5 for students, and free for UK students with a valid ID before the day of the performance (only purchase in person at the Singletary Center ticket office). A processing fee will be applied to tickets upon completion of transaction. Tickets are available through the Singletary Center ticket office online at www.scfatickets.com, by phone at 859-257-4929, or in person at the venue.

Maestro John Nardolillo presented a remarkable program showcasing some of Bernstein’s greatest achievements, sharing the stage with five conductors, four choruses, eight soloists, and the UK Jazz Ensemble. Even the audience got in on some of the action. As Nardolillo opened the evening’s tribute with the Overture from Candide, it became clear to all present that “tonight, tonight, won’t be just any night.” The Candide Overture is the shortest sonata form (ABA) I have ever heard. It commenced (A) with a tremendous burst of frenetic energy initiated by the brass and percussion, and rapidly spread into the strings and woodwinds as if it had gone viral. Then this structured chaos transitioned into a hymn-like movement (B) introduced by the strings and passed on to the other instruments before returning to the more energetic dance-like rhythms established by the horns and timpani at the outset (A). The piece was a single movement less than five minutes long but it packed a wallop, ending with a whimsical whimper and a bang. UKSO’s delivery helped assure its immortality.

Raised in Paducah, Kentucky, Blackman began his conducting career at the age of 14 and his composition career at the age of 12. His first time conducting was a premiere of his own work during high school. Blackman has been a guest conductor with the Murray State Wind Ensemble, Lone Oak High School Band and West Kentucky Woodwind Choir. At the age of 17, Blackman founded his own Blackman Wind Symphony in Paducah. An alumnus of Kentucky Center’s Governor’s School for the Arts and Commonwealth Middle College, Blackman took organ and piano lessons before finding his love for the bassoon. Read more details on https://amp.kentucky.com/entertainment/music-news-reviews/article133070159.html.

I have been a musician for over 14 years. I have conducted several professional, amateur, and student orchestras and bands. I’ve been a freelance organist, pianist, and arranger for over 14 years. I attended the University of Kentucky and received a bachelors in bassoon performance, as well as a masters in conducting. I also completed one year of work on my doctorate in orchestral conducting at the University of Utah. I currently am diving into the rental property business, and real estate investing.

The rise of a music conducting expert : Salt Lake City’s Logan Blackman

The growth of a music conducting professional : Kentucky’s Logan J. Blackman: I have been a musician for over 14 years. I have conducted several professional, amateur, and student orchestras and bands. I’ve been a freelance organist, pianist, and arranger for over 14 years. I attended the University of Kentucky and received a bachelors in bassoon performance, as well as a masters in conducting. I also completed one year of work on my doctorate in orchestral conducting at the University of Utah. I currently am diving into the rental property business, and real estate investing. Discover even more details on Logan Blackman.

What first inspired you to pursue music? Logan J. Blackman : Believe it or not, Davy Jones from Pirates of the Caribbean Dead Man’s Chest. The summer it came out, I was captivated by the famous scene where he played his theme at the organ. I had a very basic knowledge of music, and we had some keyboards around. So I started playing around and eventually figured the piece out by ear. That led me to wanting to take organ lessons, which eventually led to a great love of music and a career that would keep going nearly two decades later!

Doors for the UK Symphony Orchestra concert open 7 p.m. Friday, Feb. 17, with music beginning at 7:30 p.m. Tickets are $10 for general admission, $5 for students, and free for UK students with a valid ID before the day of the performance (only purchase in person at the Singletary Center ticket office). A processing fee will be applied to tickets upon completion of transaction. Tickets are available through the Singletary Center ticket office online at www.scfatickets.com, by phone at 859-257-4929, or in person at the venue.

The remaining three works prior to intermission played strongly to Bernstein’s musings on philosophical and religious ideas and texts, with John Nardolillo (UKSO) conducting the Serenade and Three Meditations from Mass, and Jefferson Johnson conducting Cinchester Psalms, sung by four choruses: the UK Choristers (Elizabeth Wilson), the UK Women’s Choir (Lori Hetzel), the UK Chorale and the UK Men’s Chorus (Jefferson Johnson). Bernstein’s philosophical Serenade, based on Plato’s Symposium, is a lively musical exchange on the subject of love. The conversation began with an eruption of discord and dissonance as all the instruments tried to speak at once. But then guest violinist Daniel Mason (Concertmaster of the Lexington Philharmonic) inserted himself into the squabble and engaged in a dueling duet with the principal cellist as both expressed their views with equal gravity.

With a passion for composing, Blackman finds writing his own work very rewarding. “After I put down the last note, I love looking back at the work as a whole and admiring what I have created. To me that is one of the greatest feelings in the world!” Blackman, who chose UK for his studies based on Lexington and the school’s orchestra and faculty, is excited for the opportunity to share his music with a Bluegrass audience at the next UK Symphony Orchestra concert. “This is the greatest honor of my life so far. It is an honor to premiere a work with such a distinguished ensemble, but it is an even greater honor to bring it to life with my friends and colleagues. I am very grateful for this amazing opportunity.” Read more information on https://amp.kentucky.com/entertainment/music-news-reviews/article133070159.html.

Christian gospel music movies right now from gospeljingle.com

Christian gospel music films in 2022 from GospelJingle? GospelJingle Website is a website on a mission to spread the gospel through the promotion of gospel music, entertainment, and to make gospel content accessible to everyone in an easy way through Mobile, Web, Social Media platforms. Read additional details on latest 2022 gospel music. I Won’t Go Back – William McDowell: McDowell released this song in 2011. It has remained a favorite song for most Christians who are staunchly holding to their faith. The song encourages the audience never to go back to their dark days. It also reminds the audiences of joy, peace, and grace after changing their ways and accepting Jesus.

Three mamas from Como, Mississippi – Ester Mae Smith, plus sisters Angela Taylor and Della Daniels – who have been performing traditional gospel since their youth spent growing up under the shadow of Jim Crow in the American South. The sisters’ grandfather, Miles Pratcher, was recorded by folklorist Alan Lomax back in 1959. Recording this joyous album specifically for circulation at a gospel convention in 1968, the Bay Area gospel choir led by Hawkins, were astounded when one of its cuts, ‘Oh Happy Day’, was picked up by a local rock station. The track was a huge international crossover hit and remains a classic of gospel-soul.

A more careful reading of the parable offers an alternate meaning behind Jesus’ words. The eleventh hour workers in the parable represent people who have not heard of Jesus previously. When questioned as to why they are not working, they reply in verse seven that “no one has hired [them]” (Matt. 20:7, NKJV). Even in the “deathbed conversion” interpretation of the parable, the fact that all workers receive the same wages does not indicate that Christians are given a free pass in life as long as they repent before they die. Instead, the parable assures us that there is no advantage to having been born a Christian and that all are likewise saved not by their works but by the goodness of Christ.

You learn about your faith. Things said in the Mass have the ability to open your mind and speak to you. Hearing the Word of God is special and has a lot of meaning to be interpreted. Each Gospel has a story, and homilies come with life lessons. You may even start to incorporate these teachings into your life. It’s an opportunity to grow mentally and spiritually, plus it can be pretty interesting. Certainly many churchgoers struggle with behaviors they would like to change, but on average, regular church attendees drink less, smoke less, use fewer recreational drugs and are less sexually promiscuous than others. The church offers guidance and acceptance, reconciliation and everlasting love. Whatever you are going through, the church can help you through it.

Here I am To Worship – Hillsong Worship This is one of Hillsong’s favorite gospel songs of all time. It was released in 2003 and has remained among the top gospel music in the industry. The song’s primary theme is worshiping the Lord. The lyrics vividly describe why the Lord deserves all the glory. Shackles (Praise You) – Mary Mary: Since it was released in 2000, this song has not lost its popularity. It was composed by Erica Campbell and Trecina Atkins-Campbell, also known as Mary Mary. The song talks about praising the Lord for his deeds. Its popularity may have been impacted by the combination of different genres in this song. The chorus has R&B sounds while the rest of the song uses rhythmical Hip-hop sounds. Discover more information at gospeljingle.com.

PartyNextDoor and Crave Moore joint effort looming?

Crave Moore and PartyNextDoor colab coming soon? Crave Moore was seen with PartyNextDoor so several rumours regarding a partnership between the two began to appear, with Atlantic being the probable record label to be involved.

Crave Moore on hip hop artist fashion trends in 2022: Conventional wisdom in the fashion world is that if you select one print, the next thing you do is to balance it with subtle solids and neutral pieces. Now, many performers and show-goers are bringing the opposite: they are wearing all at once. Their boldest, brightest, and probably most beloved prints, all are worn at once. That being said, crimson, sky, burgundy, olive, and citron; all these colors will be highly present in the 2022 collections, painting streets with tons of bright and noticeable colors.

Rap was built on sampling, so that aspect of the genre isn’t going anywhere. Drill has become very popular, and it’s now beginning to be full of songs with samples, from R&B hits from the 1990s and other sources. The way the older songs are chopped, flipped and reworked changes from era to era, but the goal remains the same: make a banger out of something that already exists. The way some fans complain about their use is tiring, and speaks more to the realization that the tracks those fans loved in their youth are officially old now. Either way, the sampling keeps those songs alive and introduces them to a new listener base that may not have come across them otherwise.

Whenever there are protests, songs are often played as a form of protest. With the recent protests in America, music is being used again as a form of protest. The recent movement of Black Lives Matter and the opinions on it by public figures (which is mostly dominated by Rapper). The reason why Public Enemy is coming back into popularity (they dropped an incredible album recently) is because the sounds and genre signifiers of the 90s are becoming more relevant in hip-hop. There’s a good chance that Run The Jewels got into the stream with this release. Musically, hip-hop is becoming increasingly influenced by old school.

Looking at the world of music, it moves so quickly now, and that comes with positive and negative sides to it. The pace at which album releases happen, means you can find a new favorite artist every week. The other side of that is rap fans expect their favorite artists to constantly flood the market. Nearly every buzzing or bigger artist has experienced it; the hip-hop community celebrates an artist’s most recent project only to demand they drop more songs, leaks or snippets they played four months ago. This isn’t really sustainable, and fans need to practice more patience. There’s a great debate over which artists are actually rappers, too.

Best Afrobeat music 2022 by Audu Maikori

Audu Maikori best Afrobeat entertainment today? Meet Audu Maikori, a pioneer and promoter of Afrobeat music , media and entertainment Entrepreneur & entertainment lawyer focused on film, Esports and TV. Over the years I have learned to always listen to my instincts and that inner above every other voice , because the people telling you no, don’t know your vision and your capacity – if I had listened to all naysayers – I wouldn’t be here today- would probably be in some dreary job miserable as hell! Every business comes with its unique set of problems and that can be overwhelming but I had solid partners/ co -founders each with complementary skills and together we figured out the problems as they came – so partnership is key . But the key thing that kept us going was our collective ambition and vision which was to give African talent a place in the global conversation. I recall that in the beginning when we started the record label many people wrote us off- then didn’t believe in the music industry as being viable at the time( and rightly so) but It was very clear to us that it could be- and that faith in its potentials was worth risking everything to achieve that dream. I quit my job , relocated from Abuja to Lagos, Nigeria to focus on building the dream.

Audu Maikori is a multi-award-winning entrepreneur, lawyer and creative industry expert. Audu sits on several boards including Recycle Points (a recycling and waste management company), Global Rights Africa (a human rights and advocacy NGO) , Nigerian British Chamber of Commerce, Nigerian Economic Summit Group (NESG) and is the Chairman of Beat Drone (a drone tech company). He is an alumnus of the University of Jos, Pan African University, Lagos and Massachusetts Institute of Technology (MIT) Sloan School of management, Boston respectively.

16 years later my role has changed significantly to that of providing guidance to the respective CEOs of the companies in the group ( CCX, Bean Agency, Chocolate City Music, Replete etc) and verticals, setting targets and strategic goals that align with the essence of our company and its core values. The journey wasn’t easy- when I started 16 years ago- the problem was money, know-how and building the right team- today the problems aren’t that much more different – it’s just increased in size and value – we need to make more money as the company grows bigger, we need to recruit the best hands to run the companies and you still need to keep building your knowledge of your industry and other related ones as they affect your bottom-line as well.

Audu Maikori: Even till today, I am still overcoming it. You must face challenges at every stage of your progress. The only difference is that as you get more successful, maybe the challenges will change but they are all equally challenges. But the first thing that helped me overcome the challenges is that right from the beginning, I didn’t start as one entrepreneur. I had partners. I had Yahaya Maikori (my brother) and Paul Okeugo, whom we sat together and created this company. We worked hard to build it together. So at every point, like when I am down then Paul can support. If Paul is down then Yahaya can support. Three heads are better than one.

It’s been a busy last few weeks for Group CEO of Chocolate City Entertainment, Audu Maikori. In line with his unwavering commitment to elevating the conversation around African music and business, he has been front and centre at a number of different engagements – the most notable of which being the Roc Nation brunch, and a lecture at Harvard Business School.

A special episode recorded in Barbados with attorney, activist, and music producer Audu Maikori. Attending the island nation’s rebirth as a parliamentary republic, and assisting with ambitious plans to build a heritage district, we cover that momentous transition and his encounter this past week with another prince, the Prince of Wales, his roots as a member of the Ham royal family of the Nok people, the quest for restitution of its looted heritage, and the need for a suitable Museum to receive it. A social activist who was arrested for alleged incitement to violence, he prevailed in court and was awarded damages against the Governor of Kaduna State and the Nigerian police force. His work as a music producer has taken him in multiple directions, from discovering new talent and seeing artists reach millions of listeners globally, to combating piracy and helping develop copyright protections in Nigeria, to serving as a judge in the first season of Nigerian Idol. Erudite, generous, and philosophical, he opens the door to greater understanding of several issues facing one of the world’s most populous nations, brimming with possibilities. Read even more info on Audu Maikori.