Category: Music

Excellent guitar loops with Midi Godz LLC

Midi loops with Midi Godz LLC 2023: MIDI processors can be chained in the same way as audio effects, the only difference is that instead of audio, we get to transform the incoming MIDI data. Perhaps the most important and popular MIDI processor is the arpeggiator, which turns the incoming notes of a chord into monophonic sequences, so that entire new content can be generated from chord progressions without having to worry about staying in key. Another useful MIDI effect included in Live is called Scale, and it functions as a real-time MIDI notes mapper capable of transposing incoming MIDI notes on a per note basis, so that the incoming notes are forced to conform to a fixed scale of our choosing when they come out of the effect; this allows us to transpose the entire pitch information of a MIDI file, not only to different keys, but even to any imaginable mode and scale. Say you find a MIDI melody that you like but are unsure if it is in your track’s key of C# and don’t know how to transpose it to make sure it is – simply select C# within a MIDI Scale effect and Live will ensure that any note played is in the C# scale. Discover even more info on https://www.pinterest.com/midigodz/.

MIDI messages are the digital data transmissions that tell your music gear what to do. The biggest benefit of MIDI is that you can easily edit performances note by note, change their articulation, or even alter or replace the sound that plays them! They carry information about which parameters to change, how the system should behave or which notes to play—and how they should be played.

If you want to add a unique, exotic touch to your productions, there is no better free MIDI pack than the Arabic MIDI pack by Samplefire. You’ll find 31 Arabic-inspired melodic MIDI files on the inside, all of which have been written using the Phrygian dominant scale, which is one of the most popular scales in Arabic music. The free MIDI files in this pack are mainly focused on melodies, so you will not find any chord progressions inside. However, each melody is labeled with a BPM value to indicate the original speed of the melody. Most of the melodies are also in the same key, making them easier to compare with one another.

Vocal loops from Midi Godz Check 2023: The project had some lofty goals. MIDI attempted to provide a way to communicate all the features of a musical performance digitally. The architects of the MIDI standard had to define all kinds of complex musical behaviour in a way that 1980s-era technology could work with—not an easy task. Their choices had big consequences for the way electronic instruments were designed for the next 40 years. The finished MIDI standard was finally unveiled in 1982. Kakehashi and Dave Smith both later received Technical Grammy Awards in 2013 for their key roles in the development of MIDI—about time! Now you know how MIDI was born, so let’s get our hands dirty and start using it.

The beauty of these packs is that they are super easy to use, as you can drag and drop them in your DAW’s piano roll, or they can then be played or edited using your favorite VST instruments, such as drum racks or software synths. Because MIDI is only language in which your software reads to create sound, these MIDI packs are easily editable too. Using MIDI files as the building blocks of your track, you can create more complex drum parts, chord progressions, and arrangements, all without having to put in a ton of work. Because just about any music producer can make a MIDI pack, many of them are available for free.

With the half and double tempo buttons, the speed of the selected MIDI notes can be halved and double, and with the legato button, the length of the notes can be set so that each note ends where the next one begins, eliminating gaps and overlaps between notes. The duplicate button duplicates the entire MIDI file, including its time length, and the loop switch activates the loop mode, so that the clip can be played indefinitely when stretched horizontally across the timeline. Finally, the reverse and invert buttons reverse and invert the notes horizontally and vertically respectively. See more info at Midi packs.

Dylan Pulver or the growth of a rock singer-songwriter star

Meet Dylan Pulver and some of his indie pop singer-songwriter work: A songwriter transformed to producer who knows no limits, Dylan Pulver began building his home music studio in 2017. With his coming soon 1st album release “Do What You Love”, the 27 year old tour-de-force is about to take the world by storm. Orchestrating a team of musicians around the globe, Dylan has crafted a wide-ranging body of work that feels both genre-defying and familiar. A singer-songwriter since the age of 13, Dylan has spent nearly 2 decades honing his songwriting craft and musical prowess. Dylan’s fascination with understanding the inner workings of recorded music led him to develop a deep body of knowledge on all things production, engineering, and recording. Now Dylan just can’t stop. His first album under his belt and scheduled for release in Summer 2022, Dylan is charging ahead with his next body of work. If you would like to contact Dylan Pulver, please use our webform here. We will try to respond schedule permitting. Read even more information at https://dylanpulvermusic.com/.

The 90s saw grunge, punk-revival, and Britpop bands go mainstream, but many of these bands were able to maintain their ‘indie’ status. For example, Sub Pop Records enjoyed mainstream success in the early 1990s with the rise of the grunge genre, which they were instrumental in promoting. But in 1995 they sold to Warner Music Group. Lo-fi, emo, noise pop, slowcore, math-rock, and post-rock are all considered indie genres. The 2000s saw the impact of the internet on music consumption and distribution, and new waves of indie bands began to achieve success, some of them signing to major labels, others continued with independent labels.

Dylan Pulver is a solution-focused, technically-adept, and passionate software engineer with 7+ years of experience working in the software & financial industries. He is chiefly interested in algorithms, software development, and building technologies that the world of tomorrow will run on. Dylan is also a Master of Mathematical Finance (MMF) graduate of University of Toronto, a Hodson Scholar graduate of Johns Hopkins University, and a dual-citizen.

Dylan possesses strong abilities in managing complex projects and teams, understanding business objectives, and implementing solutions that deliver. Across his years of experience, he has had the opportunity to master skills such as: Python, Docker, Flask, Django, VS Code, Git, SQLAlchemy, Jira, Pandas, AWS, GCP, Postgres, MYSQL, AngularJS, React, Postman, Dash, Bash, and Logic Pro X.

Dylan has turbocharged his career, delivering best-in-class software solutions for multiple organizations spanning across a wide array of software stacks. He is a collaborative problem solver, able to consistently deliver results with aggressive timelines. He rigorously applies his unique creative strategy to his analysis, engineering, and testing.

It’s been enough time where we can see the era as a whole. The style, music and debauchery. It’s amazing that a new generation is discovering it, and actually embracing it. I think that in the age of such a leaning towards social and online presence people are really digging how raw it was back then and all the live party music that was rife at the time. This continued growth demonstrates that indie labels and artists are thriving in the age of music streaming, and are particularly succeeding in the vinyl revival. We’re delighted to see the indie sector going from strength to strength, contributing to the growth of the Canadian music industry as a whole.

That description, indie as an economic model of producing your own music, or producing music with an independent label, is one way to look at it. But Indie music is also sometimes used as a genre description, a way to describe a certain sound. And it’s true, some artists and bands are considered ‘indie’ and do record and produce their music within a commercial record label. Similarly, many DIY ‘indie’ bands produce music outside of the record industry but who fall into various other genres, and would not easily identify themselves with the term ‘indie’. This has led many to question whether the use of ‘indie’ as a term to describe a style of music has any real meaning. Read more details on Dylan Pulver.

The climb of a talented pianist : Johnny Hachem

Meet Johnny Hachem and some of his music composer achievements: Johnny Hachem is a Lebanese-Ukrainian composer and pianist, based in Switzerland. He is the holder of many international awards including the 2009 international award for the Music Composition at The International Composition Conference (Cergy-pontoise, France) and the 2021 Third prize of the Classic Pure Vienna International Composition Competition (Vienna, Austria). Johnny Hachem is one of the most promising composers in Europe, with an extensive resume that includes prestigious awards from around the world. He has been awarded many international awards including the 2009 Music Composition Award at The International Composition Conference (Cergy -Pontoise, France). Read more information on Johnny Hachem.

I love that everything I do is to be original and unique and not only to follow the music market. At the same time I profit from the technology and the new softwares to the maximum. For example, a few years ago, I composed the orchestral music for a documentary film using only the VST instruments. I believe that I must gain from anything that can make the composition process smoother and faster but it must always meet uniqueness and genuine originality.

Currently, Johnny is preparing for a series of piano concerts that he will perform in various European countries in the near future and says that the proceeds will be donated to the families affected by the war in Lebanon and Ukraine. He believes donating to humanitarian causes gives meaning to his musical message. Johnny Hachem has come a long way, and even though he faced a lot of hurdles, he refused to give up. And finally, he has been successful in achieving his dreams. Now he wishes to guide the aspiring musicians and pianists in the world to accomplish what he has done over the years of hard work. “Do not try to imitate successful musicians and stars. Instead, do the opposite and draw your own unique path. This is the key to success,” he stressed. He is an ambitious, passionate, and emotional person who values deep feelings and cherishes others’ happiness. Johnny Hachem’s message is about peace, and he uses his music to spread it across the world.

Who are you listening to these days? Johnny Hachem: Brahms, Wagner & Sibelius. This is a brand new year. What hopes and plans do you have? Johnny Hachem: I am composing 3 new pieces for symphony orchestra, Wind Quintet & String Quartet, I hope they will be performed during this year and loved by the audience! Before we go, could you say a few encouraging words for your fans and readers? Johnny Hachem: First, I want to thank you for those deep and interesting questions and for interviewing me! I want to thank all my friends and fans who believed in my talent and encouraged me throughout the years and tell them to believe always in their own taste and never work against their belief!

Johnny has performed his compositions world-wide in countries including, Lebanon, Jordan, Bahrain, Egypt, Qatar, France, Switzerland, Germany, England, Spain, Poland, Belarus and Ukraine. His most notable work include his composition for the documentary film I Knocked on the Temple’s Door by Carmen Labaki, and also for composing “The Fourth Watch”, which was performed by the Lebanese Philharmonic Orchestra in December 2014 and “The Battle of Siddim” performed by the Lebanese Philharmonic Orchestra in May 2017 and by “Lublin Philharmonic orchestra”, Poland in October 2017.

Classical music these days more of a sub-niche with rigid frames and for many it is boring and full with repetitions. It is true, even Verdi became quite “pop” in some of his works, not to mention Chopin or Donizetti. Ok, maybe Bartok was a different league and an exception; however, there is a trend to “lighten up” the classical pieces to make it more acceptable for the masses. As a composer and performer, how do you see this, what are your experiences? Johnny HachemJohnny Hachem: I will divide my answer into two parts: First, I believe that people listen to classical music more than ever, but that is through movies and video games, however, most of them don’t like listening to it in a concert hall and that’s because of the strict etiquette rules there; you can’t clap between the movements of the musical piece even if you were very excited, you can’t cough now, you can’t move… in other words, you can’t express your emotions as you do in pop or rock concerts… To tell you the truth, it wasn’t like that before. Joseph Horowitz, in his wonderful new book, Moral Fire, describes audiences “screaming” and “standing on chairs” during classical concerts in the 1890s. The New York Times records an audience that “wept and shouted, strung banners across the orchestra pit over the heads of the audience and flapped unrestrainedly” when listening to their favorite opera singer at the Met in the 1920s. And the strict rules started in 1960.

Kentucky’s Logan Blackman or the rise of a music conducting professional

Get to know Lexington’s Logan Blackman and some of his music orchestra conducting thoughts: I have to say, I was not expecting that answer! I love it! What do you want your listeners to get out of your music? Logan J. Blackman : Music is one of the ultimate ways of expressing something you can’t quite put in words, or illustrate easily. My symphonic work, Prayer of a Broken Heart, is a great example of that. At 15, I tragically lost my parents due to a motorcycle accident. That piece is about the grief I went through, those experiences, and ultimately my hope that I will one day see them again.My hope is that listeners who might be struggling with something similar get some kind of comfort knowing they aren’t the only ones to feel what they may be feeling. Read even more info at https://www.quora.com/profile/Logan-Blackman-1.

Doors for the UK Symphony Orchestra concert open 7 p.m. Friday, Feb. 17, with music beginning at 7:30 p.m. Tickets are $10 for general admission, $5 for students, and free for UK students with a valid ID before the day of the performance (only purchase in person at the Singletary Center ticket office). A processing fee will be applied to tickets upon completion of transaction. Tickets are available through the Singletary Center ticket office online at www.scfatickets.com, by phone at 859-257-4929, or in person at the venue.

Maestro John Nardolillo presented a remarkable program showcasing some of Bernstein’s greatest achievements, sharing the stage with five conductors, four choruses, eight soloists, and the UK Jazz Ensemble. Even the audience got in on some of the action. As Nardolillo opened the evening’s tribute with the Overture from Candide, it became clear to all present that “tonight, tonight, won’t be just any night.” The Candide Overture is the shortest sonata form (ABA) I have ever heard. It commenced (A) with a tremendous burst of frenetic energy initiated by the brass and percussion, and rapidly spread into the strings and woodwinds as if it had gone viral. Then this structured chaos transitioned into a hymn-like movement (B) introduced by the strings and passed on to the other instruments before returning to the more energetic dance-like rhythms established by the horns and timpani at the outset (A). The piece was a single movement less than five minutes long but it packed a wallop, ending with a whimsical whimper and a bang. UKSO’s delivery helped assure its immortality.

Raised in Paducah, Kentucky, Blackman began his conducting career at the age of 14 and his composition career at the age of 12. His first time conducting was a premiere of his own work during high school. Blackman has been a guest conductor with the Murray State Wind Ensemble, Lone Oak High School Band and West Kentucky Woodwind Choir. At the age of 17, Blackman founded his own Blackman Wind Symphony in Paducah. An alumnus of Kentucky Center’s Governor’s School for the Arts and Commonwealth Middle College, Blackman took organ and piano lessons before finding his love for the bassoon. Read more details on https://amp.kentucky.com/entertainment/music-news-reviews/article133070159.html.

I have been a musician for over 14 years. I have conducted several professional, amateur, and student orchestras and bands. I’ve been a freelance organist, pianist, and arranger for over 14 years. I attended the University of Kentucky and received a bachelors in bassoon performance, as well as a masters in conducting. I also completed one year of work on my doctorate in orchestral conducting at the University of Utah. I currently am diving into the rental property business, and real estate investing.

The rise of a music conducting expert : Salt Lake City’s Logan Blackman

The growth of a music conducting professional : Kentucky’s Logan J. Blackman: I have been a musician for over 14 years. I have conducted several professional, amateur, and student orchestras and bands. I’ve been a freelance organist, pianist, and arranger for over 14 years. I attended the University of Kentucky and received a bachelors in bassoon performance, as well as a masters in conducting. I also completed one year of work on my doctorate in orchestral conducting at the University of Utah. I currently am diving into the rental property business, and real estate investing. Discover even more details on Logan Blackman.

What first inspired you to pursue music? Logan J. Blackman : Believe it or not, Davy Jones from Pirates of the Caribbean Dead Man’s Chest. The summer it came out, I was captivated by the famous scene where he played his theme at the organ. I had a very basic knowledge of music, and we had some keyboards around. So I started playing around and eventually figured the piece out by ear. That led me to wanting to take organ lessons, which eventually led to a great love of music and a career that would keep going nearly two decades later!

Doors for the UK Symphony Orchestra concert open 7 p.m. Friday, Feb. 17, with music beginning at 7:30 p.m. Tickets are $10 for general admission, $5 for students, and free for UK students with a valid ID before the day of the performance (only purchase in person at the Singletary Center ticket office). A processing fee will be applied to tickets upon completion of transaction. Tickets are available through the Singletary Center ticket office online at www.scfatickets.com, by phone at 859-257-4929, or in person at the venue.

The remaining three works prior to intermission played strongly to Bernstein’s musings on philosophical and religious ideas and texts, with John Nardolillo (UKSO) conducting the Serenade and Three Meditations from Mass, and Jefferson Johnson conducting Cinchester Psalms, sung by four choruses: the UK Choristers (Elizabeth Wilson), the UK Women’s Choir (Lori Hetzel), the UK Chorale and the UK Men’s Chorus (Jefferson Johnson). Bernstein’s philosophical Serenade, based on Plato’s Symposium, is a lively musical exchange on the subject of love. The conversation began with an eruption of discord and dissonance as all the instruments tried to speak at once. But then guest violinist Daniel Mason (Concertmaster of the Lexington Philharmonic) inserted himself into the squabble and engaged in a dueling duet with the principal cellist as both expressed their views with equal gravity.

With a passion for composing, Blackman finds writing his own work very rewarding. “After I put down the last note, I love looking back at the work as a whole and admiring what I have created. To me that is one of the greatest feelings in the world!” Blackman, who chose UK for his studies based on Lexington and the school’s orchestra and faculty, is excited for the opportunity to share his music with a Bluegrass audience at the next UK Symphony Orchestra concert. “This is the greatest honor of my life so far. It is an honor to premiere a work with such a distinguished ensemble, but it is an even greater honor to bring it to life with my friends and colleagues. I am very grateful for this amazing opportunity.” Read more information on https://amp.kentucky.com/entertainment/music-news-reviews/article133070159.html.

Christian gospel music movies right now from gospeljingle.com

Christian gospel music films in 2022 from GospelJingle? GospelJingle Website is a website on a mission to spread the gospel through the promotion of gospel music, entertainment, and to make gospel content accessible to everyone in an easy way through Mobile, Web, Social Media platforms. Read additional details on latest 2022 gospel music. I Won’t Go Back – William McDowell: McDowell released this song in 2011. It has remained a favorite song for most Christians who are staunchly holding to their faith. The song encourages the audience never to go back to their dark days. It also reminds the audiences of joy, peace, and grace after changing their ways and accepting Jesus.

Three mamas from Como, Mississippi – Ester Mae Smith, plus sisters Angela Taylor and Della Daniels – who have been performing traditional gospel since their youth spent growing up under the shadow of Jim Crow in the American South. The sisters’ grandfather, Miles Pratcher, was recorded by folklorist Alan Lomax back in 1959. Recording this joyous album specifically for circulation at a gospel convention in 1968, the Bay Area gospel choir led by Hawkins, were astounded when one of its cuts, ‘Oh Happy Day’, was picked up by a local rock station. The track was a huge international crossover hit and remains a classic of gospel-soul.

A more careful reading of the parable offers an alternate meaning behind Jesus’ words. The eleventh hour workers in the parable represent people who have not heard of Jesus previously. When questioned as to why they are not working, they reply in verse seven that “no one has hired [them]” (Matt. 20:7, NKJV). Even in the “deathbed conversion” interpretation of the parable, the fact that all workers receive the same wages does not indicate that Christians are given a free pass in life as long as they repent before they die. Instead, the parable assures us that there is no advantage to having been born a Christian and that all are likewise saved not by their works but by the goodness of Christ.

You learn about your faith. Things said in the Mass have the ability to open your mind and speak to you. Hearing the Word of God is special and has a lot of meaning to be interpreted. Each Gospel has a story, and homilies come with life lessons. You may even start to incorporate these teachings into your life. It’s an opportunity to grow mentally and spiritually, plus it can be pretty interesting. Certainly many churchgoers struggle with behaviors they would like to change, but on average, regular church attendees drink less, smoke less, use fewer recreational drugs and are less sexually promiscuous than others. The church offers guidance and acceptance, reconciliation and everlasting love. Whatever you are going through, the church can help you through it.

Here I am To Worship – Hillsong Worship This is one of Hillsong’s favorite gospel songs of all time. It was released in 2003 and has remained among the top gospel music in the industry. The song’s primary theme is worshiping the Lord. The lyrics vividly describe why the Lord deserves all the glory. Shackles (Praise You) – Mary Mary: Since it was released in 2000, this song has not lost its popularity. It was composed by Erica Campbell and Trecina Atkins-Campbell, also known as Mary Mary. The song talks about praising the Lord for his deeds. Its popularity may have been impacted by the combination of different genres in this song. The chorus has R&B sounds while the rest of the song uses rhythmical Hip-hop sounds. Discover more information at gospeljingle.com.