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See movies online today with 123movies2d.com? Liz Garbus’s grim Netflix drama is based on Robert Kolker’s powerfully empathetic book about the victims of a still-at-large Long Island serial killer believed to have butchered between 10 and 16 female sex workers — whose bodies lay for years on a stretch of Gilgo Beach. Garbus focuses on the conflict between a working-class mother (Amy Ryan) whose oldest daughter has disappeared and the Suffolk County Police — led by a grave, empty suit (Gabriel Byrne) — who don’t exactly put themselves out for missing “hookers.” The film lacks the scope of Kolker’s book, but in tracing a link between murderous misogyny and patriarchal indifference it leaves you bereft (Why aren’t they acting like committed TV cops?) and then outraged. It’s an anti-police procedural.
In what hasn’t exactly been a great year for action movies so far, Bad Boys for Life has to be the biggest surprise. Given its lengthy production history, its January release date, and the departure of series director Michael Bay — the action auteur gets a winking cameo here, perhaps taking a break from shooting Netflix’s 6 Underground — this movie could’ve been a disaster. Instead, Smith and Lawrence easily slip back into the roles that made them action movie icons in the ’90s and the writers find a way to update the garish, over-the-top aesthetic of the series for the franchise era. In a wise decision, directors Adil El Arbi and Bilall Fallah don’t even bother trying to top the excess and mayhem of Bay’s Bad Boys II.Bad Boys For Life is a gentler, sillier movie than its predecessor, less interested in moments of vulgarity than in scenes of sitcom-like human connection and familial melodrama. There are explosions and car chases through the streets of Miami and jokes about getting too old for this shit, but the material is given a light touch that lets the two stars do what they do best.
The mythic quality of the Cordillera – the towering eastern stretch of the Andes mountains that serves as both a protective and isolating barrier for the city of Santiago – is harmonized with the grand, destructive illusions of Chile’s Pinochet regime in The Cordillera of Dreams, documentarian Patricio Guzmán’s personal rumination on his homeland’s tumultuous history, and his relationship to it. From vast sights of the snow-capped Andes, to grainy on-the-street video footage of Pinochet tyranny, to introspective interviews with fellow artists, Guzmán’s film (the third entry in a trilogy that also includes Nostalgia for the Light and The Pearl Button) examines the catastrophic upheaval of 1973’s coup d’état, and the lingering scars it left on him and the country’s citizens. In vistas of the ancient and immovable Cordillera, close-ups of cracks lining the hardscrabble soil, and gazes into labyrinth-like patterns found on junkyard car doors, Guzmán (who also serves as narrator) evokes a poetic sense of imposing mysteries and unrepairable fissures, which spread through him – and economically unbalanced Chilean culture – like the solemn valleys that course between the Andes’ peaks. See even more details on 123 movies.
If you’re looking for a UWP media player app for Windows 10 that’s clean looking, it’s time to stop your search becauase ACG Player could be your final choice. It’s a lightweight media player that has all the essential features like audio and video effects, music visualizer, art font subtitle, gesture control, background music. etc. ACG Player supports most media codecs out-of-the-box and follows no-nonsense policy. It also supports playback from external devices, files, and discs. An even more lightweight version of ACG Player is available in the form of Ax-Lite, which is its faster version without some features. Do give it a try for its clean and zippy interface.
Steve Coogan and Rob Brydon follow the path first traversed by Odysseus in The Trip To Greece, once again engaging in the witty banter and dueling celebrity impressions that have become the hallmark of this Michael Winterbottom-stewarded comedy series. For this fourth and ostensibly final installment, the bickering couple (Coogan arrogant and condescending; Brydon cheery and patient) enjoy fine meals and show off their imitative vocal skills, here highlighted by Coogan doing a pitch-perfect Ray Winstone as King Henry VIII. In keeping with its predecessors, the duo’s latest colors its humor with a strain of wistful regret rooted in their thorny feelings about transitioning into middle age. Anxiety about mortality turns out to be more pronounced than ever, particularly via Coogan’s Ingmar Bergman-esque dream sequence, which is related to dismay over his father’s failing health. Nonetheless, the alternately combative and chummy English pair remain in fine, funny form, and their swan song proves to be their most substantive collaboration since their maiden outing. Read more details at https://123movies2d.com/.